I wrote this a while ago, but for whatever reason never actually posted it. I want to get the monkey off my back, so here goes.
My 10 favorite movies of 2008...
The Wrestler
I love everything that Darren Aronofsky has ever done (including The Fountain), but this is just through the stratosphere. It's equal parts uplifting and heartbreaking, with the most perfectly ambiguous ending of any movie this year.
In Bruges
It's sharp and witty, and never holds back a single punch. The cast is stellar, and it's incredibly well-written, too.My 10 favorite movies of 2008...
The Wrestler
I love everything that Darren Aronofsky has ever done (including The Fountain), but this is just through the stratosphere. It's equal parts uplifting and heartbreaking, with the most perfectly ambiguous ending of any movie this year.
In Bruges
The Dark Knight
What can I say about this one? I've watched it 4 or 5 times and I am consistently shocked at how well it holds up for repeat viewings. There's a lot of complexity and depth - the Batman franchise has come a long way in 12 years.
Role Models
The Good, The Bad & The Weird
The director of The Host made a western. Not just any western, but a big, fat, beautiful homage to the greatest western of all-time. What else do I need to say?
JCVD
Mickey Rourke has some major competition in the comeback department this year. I hesitate to simply say that Van Damme proves he can act with this movie. He's exorcising demons. The biggest complement I can give this movie, though, is that it doesn't buy into the ironic action hero bullshit. Plus, it has two of the most amazing single-shot moments I've seen in a long time - the opening credit sequence and Van Damme's wall-breaking monologue.
Synecdoche, NY
It's so distinctly Charlie Kaufman, it's no wonder that it didn't really catch on. It's bleak and hopeless, yet funny the whole time. I can relate.
Tropic Thunder
I wasn't crazy about this movie the first time I saw it. Then I saw it again. And again.
Let The Right One In
The best fucking vampire movie in a long time. It gets so quiet and serene that I wasn't expecting the full-on holy shit moments - and that's EXACTLY what you need from a horror movie.
If somehow I hit my head and then started thinking that every movie I love was actually just one movie - that movie would be Doomsday.
And now for the music...
The Cardinals - Cardinology
When I was a kid, I went to Florida with my family and took a walk out in the ocean with my cousins. I got hit by a large (well, large for my six-year-old body) wave and it knocked me stupid. I was completely under the water. But my cousin Leslea was right there and valiantly reached into the (three-foot-deep) water and pulled me back up. That's kind of how I feel about Cardinology. While I do love the music, I put it here more for its self-help qualities. Great music is timeless, but the stuff that really sticks with you is the stuff that gets you through the hard times.
Butch Walker - Sycamore Street
After losing most of his earthly possessions to a California Wildfire, Butch Walker made a great record about taking stock of the past and contemplating the future. It packs an emotional wallop and still manages to be hooky as hell.
Army Navy - s/t
I love every second of this album. From its fuzzy guitars to the melodies, there's not a thing on here I could do without. This is where you'll find my favorite song of the year - Snakes of Hawaii.
Jeff Bruckner - Take Me To The West Coast
My favorite straight-up power pop album this year. It's catchy and clever, with bits of darkness mixed in. Kind of like a musical marble cake.
Marching Band - Spark Large
I've found myself putting this on when I'm in an especially great mood. I've also found myself putting it on when I'm a mopey sad bastard. It's rare that I find an album that's multi-mood playable.
Sloan - Parallel Play
Sloan. Doing what they do, and doing it well. I need nothing else.
The Raconteurs - Consolers of the Lonely
Jack White and Brendan Benson continue to be greater than the sum of their parts. They each take the driver's seat on a mind-blowing track: Carolina Drama for Jack, and Many Shades of Black for Brendan.
Julie Ocean - Long Gone and Nearly There
This was the first domino to fall in the power pop surge I experienced this year. It reminded me of why I love power pop: simplicity, power chords and handclaps.
Matthew Sweet - Sunshine Lies
I wouldn't directly call this a comeback, but Matthew Sweet's been mixing it up over the past few years and it's extraordinarily comforting to know that he's still got it. It rocks and it soars, all the while carrying the vulnerable swagger of his best work.
Couple - Teenage Disc Fantastic
Malaysian power-pop at its absolute finest.
And that's it. I didn't bother with TV or comics, since I've mostly been sticking with my old standbys in those arenas. Lost was great, Scalped was great, etc. Yawn!












